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Book Title: Das Museum der bedingungslosen Kapitulation|
The author of the book: Dubravka Ugrešić
Format files: PDF
The size of the: 717 KB
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Reader ratings: 4.6
Date of issue: 2000
ISBN 13: 9783518409732
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Critically acclaimed experimental, literary fiction by the famous Croatian exile author, now in paperback. The Museum of Unconditional Surrender by the renowned Yugoslavian writer Dubravka Ugresic begins in the Berlin Zoo, with the contents of Roland the Walrus's stomach displayed beside his pool (Roland died in August, 1961). These objects, a cigarette lighter, lollipop sticks, a beer-bottle opener, etc. like the fictional pieces of the novel itself, are seemingly random at first, but eventually coalesce, meaningfully and poetically. Written in a variety of literary forms, The Museum of Unconditional Surrender captures the shattered world of a life in exile. Some chapters re-create the daily journal of the narrator's lonely and alienated mother, who shops at the improvised flea-markets in town and longs for her children; another is a dream-like narrative in which a circle of women friends are visited by an angel. There are reflections and accounts of the Holocaust and the Yugoslav Civil War; portraits of European artists; a recipe for Caraway Soup; a moving story of a romantic encounter the narrator has in Lisbon; descriptions of family photographs; memories of the small town in which Ugresic was raised. Addressing the themes of art and history, aging and loss, The Museum is a haunting and an extremely original novel. In the words of the (London) Times Literary Supplement, "it is vivid in its denunciation of destructive forces and in its evocation of what is at stake."
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Read information about the authorDubravka Ugrešić earned her degrees in Comparative Literature, Russian Language and Literature at the University of Zagreb, and worked for twenty years at the Institute for Theory of Literature at Zagreb University, successfully pursuing parallel careers as a writer and a literary scholar.
She started writing professionally with screenplays for children’s television programs, as an undergraduate. In 1971 she published her first book for children Mali plamen, which was awarded a prestigious Croatian literary prize for children’s literature. Ugresic published two more books (Filip i Srecica, 1976; Kucni duhovi, 1988), and then gave up writing for children.
As a literary scholar Dubravka Ugrešić was particularly interested in Russian avant-garde culture. She was a co-editor of the international scholarly project Pojmovnik ruske avangarde, (A Glossary of the Russian Avangarde) for many years. She rediscovered forgotten Russian writers such as Konstantin Vaginov and Leonid Dobychin, and published a book on Russian contemporary fiction (Nova ruska proza, 1980). She translated fiction into Croatian from Russian (Boris Pilnyak, Gola godina; Daniil Kharms, Nule i nistice), and edited anthologies of both Russian contemporary (Pljuska u ruci, 1989) and avant-garde writing.
Dubravka Ugrešić was best known in the former Yugoslavia for her fiction, novels and short stories: Poza za prozu, 1978; Stefica Cvek u raljama zivota, 1981; Zivot je bajka, 1983; Forsiranje romana reke, 1988. Her novel Forsiranje romana reke was given the coveted NIN-award for the best novel of the year: Ugrešić was the first woman to receive this honor. Croatian film director Rajko Grlic made a film U raljama zivota (1984) based on Ugrešić’s short novel Stefica Cvek u raljama zivota. Ugrešić co-authored the screenplay, as she did with screenplays for two other movies and a TV drama.
In 1991, when the war broke out in the former Yugoslavia, Ugrešić took a firm anti-nationalistic stand and consequently an anti-war stand. She started to write critically about nationalism (both Croatian and Serbian), the stupidity and criminality of war, and soon became a target of the nationalistically charged media, officials, politicians, fellow writers and anonymous citizens. She was proclaimed a “traitor”, a “public enemy” and a “witch”, ostracized and exposed to harsh and persistent media harassment. She left Croatia in 1993.
Dubravka Ugrešić has continued writing since she began living abroad. She has published both novels (Muzej bezuvjetne predaje, Ministarstvo boli) and books of essays (Americki fikcionar, Kultura lazi, Zabranjeno citanje, Nikog nema doma). Ugrešić’s essays have appeared in American (“Context”, “The Hedgehog Review”) and European newspapers and magazines (such as “Vrij Nederland”, “NRC Handelsblad”, “Die Zeit”, “Neue Zurcher Zeitung”, “Die Welt Woche”, and many others). She teaches occasionally at American and European universities. Her books have been translated into more then twenty languages. Dubravka Ugrešić has received several major European literary awards. In 2016, Ugrešić won the Neustadt International Prize for Literature.
She is based in Amsterdam today, working as a freelance writer.
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